Lukas Marxt

Around the solar eclipse of March 20, 2015, Marxt and Smiljanic arrange their own turned and extraneous material into a small catalog of cosmic...

Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert.

Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert.

Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert.

Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on...

Lukas Marxt’s fourth film about the Salton Sea in Southern California focuses on 1944/45, when about 150 dummies, replicas of the bombs of...

Lukas Marxt film is directed into the darkness of the landscape. What we see is a 30-minute static shot, in which silence spreads: an illuminated...

The roar of the ocean, storms and alternating day and night; light and dark, and time that must be organized and spent in order to make the solitude...

The record of a human intervention in nature: A static shot shows part of a landscape, a serene body of water in front of a mountain. A motorboat...

Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of...

A glacier. Icebergs. Cold fog gliding through the folds.

A glacier. Icebergs. Cold fog gliding through the folds.

The record of a human intervention in nature: A static shot shows part of a landscape, a serene body of water in front of a mountain. A motorboat...

Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of...

A landscape either prehuman or post-apocalyptic. The movement of the waves, the circling of the birds, the lifting of the cloud cover. A moment of...

A landscape either prehuman or post-apocalyptic. The movement of the waves, the circling of the birds, the lifting of the cloud cover. A moment of...

A mountain range on the horizon separates the cloudy sky from the dusty desert soil of the El Mirage Dry Lake, with the sounds of a distant roar. In...

Around the solar eclipse of March 20, 2015, Marxt and Smiljanic arrange their own turned and extraneous material into a small catalog of cosmic...

Captive Horizon operates on a delicate line between reality and illusion. Lukas Marxt´s favourite motifs – barren landscapes, seemingly...

The Imperial Valley represents one of California's most important regions of industrial agriculture. The system's run-off flows through pipes, pumps...

In Cape Ground, Windows 95 desktop landscape is being invaded by rocketing skyscrapers, taken over by the hyper-gentrifying processes, and that...

Humans are social beings. But what are they when isolated and lonely? In It Seems To Be Loneliness But It Is Not Lukas Marxt puts himself in this...

Rising Fall is a three-part study on nature as its spectacle, on what Spinoza termed natura naturans, or “nature naturing.” Something...

Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert.

Landscape and cinema form an amalgam here, being both interior spaces of thought and feeling and projected images of an outside.

Landscape and cinema form an amalgam here, being both interior spaces of thought and feeling and projected images of an outside.

Landscape and cinema form an amalgam here, being both interior spaces of thought and feeling and projected images of an outside.

Dealing with a site of permanent change where historical transformations and border shifts have been fiercely embedded into the landscape.

In an anticlimactic minimalist staging, the camera stands still in a remote corner of the Utah desert, revealing an atomic bomb loading pit used for...

Salton Sea was the largest inland lake in California. It was also an atomic bomb test zone.

Salton Sea was the largest inland lake in California. It was also an atomic bomb test zone.

Salton Sea was the largest inland lake in California. It was also an atomic bomb test zone.

The film shows the surfaces of two seas, one at sunrise and the other at sunset. The sea surfaces are mirrored horizontally atop one another,...

The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo...

The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo...

The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo...

The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo...

The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo...